{"schema": "too.foo.history.image-prompt.v1", "slug": "1486-01-18-king-henry-vii-of-england-and-elizabeth-of-york-are-married-uniting-t", "release": "4b157fe58dc3a255", "image_key": "1486-01-18-king-henry-vii-of-england-and-elizabeth-of-york-are-married-uniting-t", "image_sha256": "834a13c12a52e2244c87205e4f94fa982c3a9e5f96477db0640480f9dcad677f", "job": "20260827-203123-tier3", "model": "Ideogram 4 (fp8)", "preset": "V4_TURBO_12", "steps": 12, "seed": 20260823, "width": 1216, "height": 832, "caption_mode": "json", "caption": {"high_level_description": "Henry VII and Elizabeth of York face one another and close their right hands in the marriage clasp while Thomas Bourchier, in cardinal-archbishop vestments, leans toward them as officiant; an off-center close crop keeps the church venue generic. Tight interior crop of a late-fifteenth-century English church space: worn limestone pavement, rough pale masonry, and one plain wool hanging. Architectural boundaries fall beyond frame, preserving the venue uncertainty. Henry VII's and Elizabeth of York's shoes rest on the church interior's limestone pavement, their bodies angled toward the marriage clasp. Henry VII's right fingers curl around Elizabeth of York's right palm; both wrists remain inside their fitted sleeves. Thomas Bourchier's shoes rest on the same pavement and his upper body inclines toward the couple's joined hands. Both of Thomas Bourchier's hands encircle the crozier shaft; the crozier ferrule touches the pavement between his shoes. The wool hanging sags under gravity from a horizontal wooden rail fixed against the rear masonry. It is 1486: English elite late-fifteenth-century fitted wool gowns and mantles, linen veil, leather shoes; cardinal-archbishop in red wool cope over pale alb.; Wool, linen, silk lining, fur, worn limestone, timber, tarnished gilt copper and leather.; Hand-tailored court dress, ecclesiastical vestments, masonry interior and wrought fittings.", "style_description": {"aesthetics": "restrained public solemnity. Documentary photographic realism: subtle film grain, believable wear on every material, candid imperfect framing.", "lighting": "Single winter daylight source from a high opening at upper left casts soft shadows lower right; fabric folds, faces and crozier highlights share that direction.", "photo": "50mm, f/3.2, 5.5 m from the couple, Off-center documentary photograph with subtle grain at chest height; the couple occupy left and center, Bourchier is clipped slightly at right, and the clasp is sharp against softly focused masonry.", "medium": "photograph", "color_palette": ["#1E1913", "#4A3B28", "#8A7350", "#C9B892", "#2B2B2A"]}, "compositional_deconstruction": {"background": "Tight interior crop of a late-fifteenth-century English church space: worn limestone pavement, rough pale masonry, and one plain wool hanging. Architectural boundaries fall beyond frame, preserving the venue uncertainty. Single winter daylight source from a high opening at upper left casts soft shadows lower right; fabric folds, faces and crozier highlights share that direction.", "elements": [{"type": "obj", "bbox": [150, 90, 930, 410], "desc": "One king at left in three-quarter profile, close-fitting dark wool gown with fur cuffs; gaze lowered toward the clasp, left arm largely covered by his mantle."}, {"type": "obj", "bbox": [130, 390, 940, 700], "desc": "One bride near center in three-quarter profile, fitted wool gown and pale silk-lined mantle, hair covered by a linen veil; gaze lowered toward Henry."}, {"type": "obj", "bbox": [430, 340, 610, 530], "desc": "Their two bare right hands form one compact waist-high clasp, fingers curled around each other's palm; fitted sleeves cover both wrists and overlap the grip."}, {"type": "obj", "bbox": [100, 680, 920, 980], "desc": "One elderly cardinal-archbishop at right, three-quarter back view, red wool cope over pale linen alb; head inclined, both hands gripping a crozier shaft."}, {"type": "obj", "bbox": [70, 820, 960, 910], "desc": "One tarnished gilt-copper crozier rises beside Bourchier; its wooden core remains vertical, lower ferrule planted on the limestone between his shoes."}, {"type": "obj", "bbox": [0, 0, 1000, 1000], "desc": "Uneven limestone slabs support all three adults; rough masonry and a plain, slightly sagging wool hanging soften beyond the focused figures."}]}}, "rendered_input": "{\"high_level_description\": \"Henry VII and Elizabeth of York face one another and close their right hands in the marriage clasp while Thomas Bourchier, in cardinal-archbishop vestments, leans toward them as officiant; an off-center close crop keeps the church venue generic. Tight interior crop of a late-fifteenth-century English church space: worn limestone pavement, rough pale masonry, and one plain wool hanging. Architectural boundaries fall beyond frame, preserving the venue uncertainty. Henry VII's and Elizabeth of York's shoes rest on the church interior's limestone pavement, their bodies angled toward the marriage clasp. Henry VII's right fingers curl around Elizabeth of York's right palm; both wrists remain inside their fitted sleeves. Thomas Bourchier's shoes rest on the same pavement and his upper body inclines toward the couple's joined hands. Both of Thomas Bourchier's hands encircle the crozier shaft; the crozier ferrule touches the pavement between his shoes. The wool hanging sags under gravity from a horizontal wooden rail fixed against the rear masonry. It is 1486: English elite late-fifteenth-century fitted wool gowns and mantles, linen veil, leather shoes; cardinal-archbishop in red wool cope over pale alb.; Wool, linen, silk lining, fur, worn limestone, timber, tarnished gilt copper and leather.; Hand-tailored court dress, ecclesiastical vestments, masonry interior and wrought fittings.\", \"style_description\": {\"aesthetics\": \"restrained public solemnity. Documentary photographic realism: subtle film grain, believable wear on every material, candid imperfect framing.\", \"lighting\": \"Single winter daylight source from a high opening at upper left casts soft shadows lower right; fabric folds, faces and crozier highlights share that direction.\", \"photo\": \"50mm, f/3.2, 5.5 m from the couple, Off-center documentary photograph with subtle grain at chest height; the couple occupy left and center, Bourchier is clipped slightly at right, and the clasp is sharp against softly focused masonry.\", \"medium\": \"photograph\", \"color_palette\": [\"#1E1913\", \"#4A3B28\", \"#8A7350\", \"#C9B892\", \"#2B2B2A\"]}, \"compositional_deconstruction\": {\"background\": \"Tight interior crop of a late-fifteenth-century English church space: worn limestone pavement, rough pale masonry, and one plain wool hanging. Architectural boundaries fall beyond frame, preserving the venue uncertainty. Single winter daylight source from a high opening at upper left casts soft shadows lower right; fabric folds, faces and crozier highlights share that direction.\", \"elements\": [{\"type\": \"obj\", \"bbox\": [150, 90, 930, 410], \"desc\": \"One king at left in three-quarter profile, close-fitting dark wool gown with fur cuffs; gaze lowered toward the clasp, left arm largely covered by his mantle.\"}, {\"type\": \"obj\", \"bbox\": [130, 390, 940, 700], \"desc\": \"One bride near center in three-quarter profile, fitted wool gown and pale silk-lined mantle, hair covered by a linen veil; gaze lowered toward Henry.\"}, {\"type\": \"obj\", \"bbox\": [430, 340, 610, 530], \"desc\": \"Their two bare right hands form one compact waist-high clasp, fingers curled around each other's palm; fitted sleeves cover both wrists and overlap the grip.\"}, {\"type\": \"obj\", \"bbox\": [100, 680, 920, 980], \"desc\": \"One elderly cardinal-archbishop at right, three-quarter back view, red wool cope over pale linen alb; head inclined, both hands gripping a crozier shaft.\"}, {\"type\": \"obj\", \"bbox\": [70, 820, 960, 910], \"desc\": \"One tarnished gilt-copper crozier rises beside Bourchier; its wooden core remains vertical, lower ferrule planted on the limestone between his shoes.\"}, {\"type\": \"obj\", \"bbox\": [0, 0, 1000, 1000], \"desc\": \"Uneven limestone slabs support all three adults; rough masonry and a plain, slightly sagging wool hanging soften beyond the focused figures.\"}]}}", "prompt_sha256": "cbd2f5533d115eb67a408e66c593b2736fe9d6ac3a15e77111dd3084cfcc5b1e"}
